08.26.08
Alternative in all but substance
So this weekend: I imagined that Forestronika would be the Lebanese equivalent of Glastonbury, complete with organic food, wooden cutlery, rhythmic beats, live impromptu jams floating up from here and there… How far off the mark I was!
First of all, there was the tedious homogeneity of the music. Ok, yes, it was an ELECTRONIC music festival, specializing in psytrance, so obviously I didn’t expect anyone to be getting on stage with an acoustic guitar and a harmonica. But on Friday, apart from a great drum and bass set, the mediocre and boringly repetitive psytrance beats continued unabated throughout the night, all the way into the morning, and by Saturday noon the diabolic pulsating was showing no sign of relenting! So, at 12 when I stirred from a 4 hour sleep, keen to munch some carrot cake and sip a coffee against some soft chill out tunes in order to recover from the previous night’s excesses, the hard core trash trance was hammering my already hammered brain into nauseous pustules of insanity… How NOT to cure a hangover?
Apart from the music, I was disappointed to see that no activities had been organized. With a venue like Eco Village, which boasts fruit orchards, rock-climbing, sandpaper toilets and other nature-friendly characteristics, one would think that, similar to other music festivals, the virtues of engaging in eco-friendly activities would have been promoted. I imagined workshops on how to grow your own organic fruit and veg, or information encouraging people to recycle at home (recycling is a quasi-alien activity in Lebanon: when my Significant Other recycles our glass bottles in the bins down the road, the nearby army personnel look on with a mixture of amusement and disbelief). However, instead of those activities, there were generators spouting thick, black smoke into the air, limited recycling, NO ashtrays, and more generally no attempts to fuse the alternative music scene with an alternative lifestyle scene (see here for a Daily Star journalist’s regurgitation of my ideas about this; yes, ‘tis I that vacuous “one partygoer”).
This joined in with a broader failure that left me dissatisfied with the festival: the sense that a potential platform for forging a deeper sort of alternative identity had been sorely missed. More precisely, I experienced none of what I would call the ‘festival ethic’, one of creating a fun, community- and learning-centred environment. An environment in which music is a driving force for not only partying, but also the nexus for being part of a larger group that attempts to disassociate itself from social norms in more ways than just loud music and long hair; namely, by imparting potentially ‘alternative’ values: ecological awareness, non-violent protest, direct action, communitarianism.
Obviously, the meaning of ‘alternative’ will change from one place to the next. The best example of this is the fact that Glastonbury, once a small-scale hippie bumpkin fest, is now the most popular weekend in the U.K., attracting well over 100,000 people. But although Glasto has made the shift from ‘alternative’ to ‘mainstream’ (like so many before it: Che Guevara, the kuffiyeh, punk…), the sort of socially responsible ethics that it is expounding would be quasi-revolutionary here in Lebanon, where only rarely are people capable of thinking outside the confessionalist box.
I suppose the crux of the issue has to do with the reluctance of the Lebanese who are active in the alternative scene to consider themselves as the basis for some sort of civil society that could potentially shift identity away from those of creed or sect that ruthlessly dominate here. Instead of seeing an attachment to underground music as a gateway to forging a different social identity, it seen as a complete escape from the factors that define Lebanese identity. Therefore, the potential platforms for manifesting social discontent or asserting a different sort of identity from the mainstream Lebanese quagmires are engaged in with a certain shallowness, a frivolity, a reluctance to push the envelope too far. That attitude could be summed up in a phrase that was included in Eco Village’s “Rules and Regulations” notice that was posted on the inside of our (kindly shared) mud cabin:
“Rule 1: No Politics”.
Literally, before any mention of sensible waste disposal, noise, fire hazards or other potentially dangerous practices, the activity that was prioritized as being of most threat was political discussion!
Admittedly, perhaps my own analysis is symptomatic of that relentless desire to link everything that occurs in Lebanon with politics (I have previously even linked the weather to politics… perhaps it is pathological. Those who party party hard hard hard in order to distance themselves from such an inextricably political existence could, legitimately, hound me for once again falling into the everything-under-the-lebanese-sun=politics trap. In my defense, I just wish to raise the question of why the Lebanese underground has not assumed counter-culture characteristics, as so many other movements have done in the past: the hippies with their civil rights and anti-war agenda, les 68-ards with their workers solidarity, the punks with their anti-establishment rebelliousness. Even the rave movement of the late 80’s early 90’s had an element of rejecting private property and reclaiming public space to it…
But perhaps it is me who has to modify my analytical lenses. Perhaps, in a country where every single aspect of life is mired in politics, the act of pure rejection of politics is in itself the height of revolt. In Lebanon, being a-political could be construed as the most brazen act of dissidence…
And maybe it is. But the feeling that I am left with after last weekend is one in which Lebanon’s nascent alternative community is spending too much time on the dance floor and not enough time creating a counter-culture identity that could be the beginning of solving some of this country’s problems. With a little less intoxication and a little more well-placed dedication, the potential for subversion is indeed fertile.
05.27.08
Celebrate good times
The Lebanese definately know how to party like no other people I’ve known.
The festivities that have followed the election of Michel Suleiman as president on Sunday have been electric and spontaneous: dazzling fireworks displays infront of Hariri’s mosque; thousands of people jammed into a downtown decorated in balloons with Lebanese flags and posters thanking Qatar for its role as mediator in the peace agreement (the latter complete with grammar mistake); heaving masses of fans gatheringto see Haifa Wehbe (think Lebanon’s Cristina Aguilera), so consumed with excitement that they stormed the stage and led to its collapse, leading to the injury of 5 people…
Yes, unfortunately even in this country’s most elated moments, there are events to dampen the mood. Like the fact that several others have been wounded across the country because of celebratory gunfire, or the last night’s skirmishes in Cornishe Mazraa that injured approximately 16 people.
Yet despite those things, the mood in Beirut these past few days has been one of euphoria. The raw exhilaration here far exceeds any other celebration I have witnessed: France’s 1998 World Cup win, Egypt’s 2006 African Nations Cup win, Trafalgar Square on New Years; they all pale in comparison.
And though I am skeptical about the longevity of the current peace here, I cannot but be humbled in the face of Lebanon’s undying optimism and unequaled joie de vivre.




09.04.08
Paradoxes, abstractions and indulgences: the myth of Lebanese joie de vivre
Posted in Comment, Lebanon Diaries tagged Lebanon, party, race, racism at 8:39 pm by lilithhope
The notion that Lebanon is a country of brazen paradoxes is a commonplace conclusion arrived at by many foreigners who come here for any significant amount of time. So commonplace, in fact, that such contradictions have become the template for Westerners’ representations of this quagmire country in both the media and academia alike. The stark social disparity, in which up-market, glitzy neighbourhoods are situated a stone’s throw away from dirty, overcrowded refugee camps; the incomprehensible speed with which the nation goes from being on the brink of civil war to lapping up the vastly exaggerated, pop-star blessed and firework-christened festivities of a superficial band-aid of a peace deal; the relentless drive towards luxury and indulgence in the face of institutionalised marginalization and repression… This is Lebanon.
Often, these anti-intuitive, ill-fitting pieces are considered to be the root reason for why Lebanon, and Beirut in particular, wields such a powerful magnetic pull on all who stray into its sphere. Lebanon can be both heaven and hell, and this is a powerful source of attraction for those who, coming from outside, are privileged enough to derive cheap thrills by walking the precarious tightrope between the two universes. This ‘naughty-but-nice’ message resonates ironically in each and every tongue-in-cheek regurgitation of this countries’ well-meaning but largely vacuous mantra: “Welcome to Lebanon”.
The paradoxes of Beirut are all-pervasive, and manifest themselves almost all aspects of life in this city that inhabits the borderline between the sane and the absurd, the shining and the decrepit. It is not rare to perceive a bullet-ridden, blackened-by-smoke carcass of a building lurking in the shadow of a towering shard-glass luxury residence. Nor is it uncommon to witness the merging of the worlds of a fashion victim and a mine victim: a diamond- and gold-clad, collagen-lipped tummy-tucked breast-enhanced platinum blonde stops to buy a pack of Davidoff slims from a legless old man on a street corner. Not surprisingly, it is the former who is offered bank loans to ‘remedy’ her condition, while the limbless latter is extended no such compassion. The focus on extravagance in favour of post-conflict reconciliation or shared humanism has led many to ask why the Lebanese seem to have their priorities so skewed.
Several attempts have been made to reconcile Lebanon’s paradoxes, to understand how such unabashed pleasure flourishes so shamelessly aside such festering pain. The general consensus to emerge from academics, bloggers and journalists alike is that many Lebanese suffer from some form of ‘national amnesia’1, or as ‘Angry Arab’ As’ad Abukhalil would say, ‘Lebanonesia’, that drives them to forget their conflict-plagued past by filling themselves with the petty frivolities of the present. A similar diagnosis was recently echoed in an article published in The Times a couple of weeks ago, in which the author, Alice Fordham, claimed the existence of some “Lebanese tendency” to ignore troubles and focus on fun, which represents “a national psychological defence mechanism” 2. In a more patronising tone, the author continues:
“These people have endured decades of internal and external strife and they live in a country where sectarian rifts are getting deeper and, very likely, storing up trouble for the future. If they focused on what had happened and what was likely to happen, they couldn’t cope. So, in Beirut at least, they go to the rooftop nightclubs or the road of bars in the beautiful, battered area of Gemmayze and make the most of the clubs that stay open no matter what the security situation… So if it is denial that fosters this charm, then it is hard to condemn it… Everyone here has deeply held affiliations, inherited and totally incompatible with the views of their friends. Who can blame them for skirting around the issue and thinking instead about society, style and about how great they’re going to look after their surgeon is finished with them? ”.
Yet while the middle and upper class Lebanese are good-naturedly chided and admired for their ability to put painful aspects of their national past behind them by focusing their energies on trivial pleasures, some of the darker characteristics of Lebanese society are glossed over.
In the effort to paint the Lebanese as victims of social and political conditions that precede them and choosing to frame their pleasure-seeking as a coping mechanism, their own role in aggravating the bottomless rifts that haunt this country and perpetuating other socio-political injustices is ignored. For while the Lebanese pride themselves with their hospitality, spouting the phrase “ahlan wa sahlan” at the drop of a hat, they are simultaneously resolvedly reluctant to critically assess their own agency as causing the persistence of divisive sectarian identities and the lacunae in dealing with the ghosts of the civil war, both factors which continue to push the Lebanese into armed conflict with on-another. Perpetual escapism and denial can only lead to the exasperation of the causes of social and political differences.
Moreover, those Western journalists who romanticise and victimise the Lebanese predicament are also guilty of naïve abstraction. By excusing the middle and upper class’ superficial obsessions with physical beauty and material wealth as means of escaping the bigger issues around them, one condones their choice to not be part of the solution, and hence their role in deepening certain social divisions. Moreover, if one were to examine the fact of Western representation of the Lebanese more closely, many assumptions are taken for granted. Significantly, any vocal celebration of the apparent Lebanese ‘joie de vivre’, charm and hospitality is a selective reading of how outsiders are received here, most importantly because it tends to be race blind.
Racist attitudes towards those of darker complexion are very common in the Arab world. The word ‘abeed’, which means ‘slave’ in Arabic, is commonly and unquestioningly used by many Arabs to refer to individuals with black skin. My half-Sudanese half-Latvian friend stormed out of the 2006 African Nations Cup final in Cairo because a group of Egyptian boys in front of us were referring to the Cote d’Ivoiriens on the pitch using that very word and others of a similar lexical set. In Lebanon, the situation is compounded by the Lebanese tendency to see themselves as also superior to other Arabs, a consequence of their supposed Phoenician roots3 and lighter skin.
In Lebanon, this twin prejudice is clearly apparent in the division of labour, which fixes those of darker or more alien features (Sri Lankan, Ethiopian, Philippino) in the most base jobs, including street cleaners and live-in domestic help (aka personal servants), while other slightly more coffeed Arabs, such as Syrians and Iraqis, form a large portion of the manual labour force. In fact, I would even go as far to argue that regardless of their political leanings and sect, upper-middle class Lebanese Sunni, Shia, Druze, Maronite and Greek Orthodox probably have near-identical takes on social justice issues, whereby they probably do not question the ethical implications of importing individuals from East Africa or East Asia, locking them in houses, controlling their movement by retaining their passports and paying them a (for lack of better word) shit wage.
Such racial prejudice is not restricted to labour, and is equally present in the realm of leisure, that sphere in which the Lebanese are so allegedly adept. While Lebanon’s many pleasures are praised by foreigners right and left, the extent to which one has access to the jilted universe of the privileged largely depends on one’s complexion. While myself, Fordham and other white Europeans and Americans are received with open arms, the same hospitality is often brutally refused to non-white visitors. A Kenyan acquaintance of mine and her compatriot were recently flatly refused entry to one of Jounieh’s plush beach resorts. No, the facility was not full, as others continued to enter unimpeded. The two girls were, simply, perceived of as being too dark to partake in Lebanese luxury. An Indian acquaintance relayed a similar story to me, in which the wife of the Sri Lankan ambassador was once chased out of a swimming pool at a mountain resort by to hotel staff amongst cries of “Maids are not allowed in the swimming pool!”
Those narratives indicate that the extent to which an outsider can access the celebrated Lebanese hospitality depends on skin colour. Ask any non-white foreigner in Lebanon about their experiences with ‘Lebanese hospitality’, and their narratives are worlds away from the charm that Fordham mentions. Her race blindness toward this issue is blatant when she states: “[Beirut’s] reputation for fun and the Lebanese reputation for charm and hospitality do attract visitors who support the many employees of hotels, shops and beaches”. She does not indicate the discrepancies in treatment of those who are ‘attracted’, nor does she question the extent to which employment in the tourist sector may also have a racial dimension. Therefore, while it is glaringly obvious that the revered Lebanese hospitality is tainted with a white Europhilic stain, such prejudice is glossed over by flattering portrayals of the privileged Lebanese as soldiering on in the bars, clubs, mountain villas and beach resorts despite violent clashes or the constant threat thereof. Such portrayals play into the image that many Lebanese wish to give of themselves, one of victimhood, which exempts them from questioning their past and present responsibilities in the continuing shambolic disintegration of this country.
The suffering that has been endured by the Lebanese people in over 15 years of civil war and foreign occupation is undeniable. But the solution to such suffering is not abstraction. Foreigners who revel in the open, accepting, welcoming image of the Lebanese should be aware of that those attitudes are, quite literally, skin-deep. Furthermore, representing the Lebanese as tortured by history and as passive victims in a confessionalist political system that precedes them chooses to ignore the ways in which they are responsible for exacerbating many of this country’s problems along class and race lines. By romanticising the paradoxes and forgetting the agency of many Lebanese in perpetuating social injustices, we only assist in hammering another nail into the coffin of this increasingly decaying nation.
1See Deeb, Lara (2006) An Enchanted Modern: Gender and Public Piety in Shi’i Lebanon. Princeton; Oxford: Princeton University Press, p. 67.
2 See Fordham, Alice. “Bombs and Botox in Beirut”, The Times, 15 August 2008.
3 For a critique of the Lebanese claim to Phoenician heritage, see Salibi, Kamal (1990) A House of Many Mansions. University of California Press
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